Unidentified Verbal Objects

How do words perform?

Authors

  • Esa Kirkkopelto

Downloads

Keywords:

artistic research, phenomenology, actor, philosophy of language., embodied research, deconstruction, embodiment

Abstract

This article considers how artistically performative practices, especially the scenic embodiment of words, problematizes our accustomed understanding of language, both in a philosophical and an everyday sense. In classical phenomenology à la Heidegger or Merleau-Ponty, language is considered a medium of the process of appearing or expression. As I try to sustain, language should instead be understood as the medium of appearing; not as the primary medium, nor as a medium among others, but as an intrinsic aspect of all appearing, no matter what its medium, user, or level of development. This conclusion, if it holds, leads towards an expanded idea of language where being linguistic and being or having a body coincide. The idea is sustained by evidence rising out of consideration of the basic corporeal operations of a scenic performer as they try to embody their textual material performatively. Through this idea, the article seeks a reconciliation to a debate between post-structuralist and post-humanist thought regarding the role and scope of language in knowledge formation.

Author Biography

Esa Kirkkopelto

Esa Kirkkopelto is a philosopher, artistic researcher, and performance artist. He has worked as a professor of artistic research at the University of the Arts Helsinki (2007–2018), Malmö Theatre Academy (Lund University, 2020–2022). From 2024 onwards, he continues in that same position at the Tampere University. He holds the title of docent in aesthetics at the University of Helsinki. He has a PhD degree in philosophy at the University of Strasbourg (2003). He is a former board member of the Society of Artistic Research (2022–2024), a former core-convener of the Performance Philosophy association and the organiser of the Helsinki 2022 Performance Philosophy Biennial. He is the founding member of the Other Spaces performance collective (2004–). His research focuses on the deconstruction of the performing body both in theory and in practice. His monograph titled Logomimesis: A Treatise on Performing Body is forthcoming at Routledge in 2025.

References

Agamben, Giorgio. (1982) 1991. Language and Death. The Place of Negativity. Translated by Karen E. Pinkus and Michael Hardt. Minneapolis: University of Minneapolis Press.

Barad, Karen. 2003. “Posthumanist Performativity: Toward an understanding of how matter comes to matter.” Signs, 28 (3): 801–831. https://doi.org/10.1086/345321 DOI: https://doi.org/10.1086/345321

Bleeker, Maaike, Jon Foley Sherman, and Eirini Nedelkopoulou, eds. 2015. Performance and Phenomenology: Traditions and Transformations. New York: Routledge. https://doi.org/10.4324/9781315752365 DOI: https://doi.org/10.4324/9781315752365

Bryant, Levi, Graham Harman, and Nick Srnicek, eds. 2011. Speculative Turn: Continental Realism and Materialism. Melbourne: re.press.

Camilleri, Frank. 2020. Performer Training Reconfigured. Post-Psychophysical Perspectives for the Twenty-First Century. London: Methuen.

Cox, Christoph, Jenny Jaskey, and Suhail Malik, eds. 2015. Realism Materialism Art. Annandale-on-Hudson NY: Center for Curatorial Studies, Bard College; Berlin: Sternberg.

Crow, Bryan K. 1988. “Conversational performance and the performance of conversation.” TDR/The Drama Review, 32 (3): 23–54. https://doi.org/10.2307/1145905 DOI: https://doi.org/10.2307/1145905

Cull, Laura. 2013. Theatres of Immanence: Deleuze and the Ethics of Performance. London: Palgrave Macmillan. https://doi.org/10.1057/9781137291912 DOI: https://doi.org/10.1057/9781137291912

Deleuze, Gilles. (1972) 2004. “How do we recognize structuralism?” In Gilles Deleuze, Desert Islands and Other Texts, 1953–1974. Translated by Mike Taormina, 170–192. Cambridge, MA: MIT Press.

Derrida, Jacques. 1967. De la grammatologie. Paris: Minuit.

de Freitas, Elizabeth, and Matthew X. Curinga. 2015. “New materialist approaches to the study of language and identity: Assembling the posthuman subject.” Curriculum Inquiry, 45 (3): 249–265. https://doi.org/10.1080/03626784.2015.1031059 DOI: https://doi.org/10.1080/03626784.2015.1031059

Garcia, Tristan. (2010) 2014. Form and Object: A Treatise on Things. Translated by Mark Allan Ohm and Jon Cogburn. Edinburgh: Edinburgh University Press. https://doi.org/10.1515/9780748681518 DOI: https://doi.org/10.1515/9780748681518

Gil, José. (1985) 1998. Metamorphosis of the Body. Translated by Stephen Muecke. Minneapolis: University of Minnesota Press.

Goffman, Erwin. 1974. Frame Analysis: An Essay on the Organization of Experience. Boston: Northeastern University Press.

Grant, Stuart, Jodie McNeilly-Renaudie, and Matthew Wagner, eds. 2019. Performance Phenomenology: To the Thing Itself. Basingstoke: Palgrave Macmillan. https://doi.org/10.1007/978-3-319-98059-1 DOI: https://doi.org/10.1007/978-3-319-98059-1

Jakobson, Roman. (1956) 1990. “Two aspects of language and two types of disturbances.” In On language, edited by Linda R. Waugh and Monique Monville-Burston, 115–133. Cambridge, MA: Harvard University Press.

Jakobson, Roman. (1957) 1984: “Shifters, verbal categories, and the Russian verb.” In Roman Jakobson, Russian and Slavic Grammar: Studies 1931–1981, 41–58. Berlin: Mouton Publishers. https://doi.org/10.1515/9783110822885.41 DOI: https://doi.org/10.1515/9783110822885.41

Kirkkopelto, Esa. 2016. “Joints and strings: Body and object in performance.” Performance Philosophy 2 (1): 49–59. https://doi.org/10.21476/PP.2016.2170 DOI: https://doi.org/10.21476/PP.2016.2170

Kirkkopelto, Esa. 2021. “Virtual bodies in virtual spaces, a lecture-demonstration.” In Networked Actor Theory, edited by Outi Condit and Simo Kellokumpu. Nivel 14. https://nivel.teak.fi/nat.

Kirkkopelto, Esa. 2022. “A phenomenological actor.” Phenomenology & Practice, 17 (1): 99–114. https://doi.org/10.29173/pandpr29478 DOI: https://doi.org/10.29173/pandpr29478

Kirkkopelto, Esa. 2025. Logomimesis: A Treatise on the Performing Body. London: Routledge DOI: https://doi.org/10.4324/9781003449041

Lévi-Strauss, Claude. (1950) 1987. Introduction to the Work of Marcel Mauss. Translated by Felicity Baker. London: Routledge and Kegan Paul.

Lynghold, Shining Star. 2018. “Textualized body, embodied text: Derrida’s linguistic materialism.” Journal of Indian Council of Philosophical Research, 35: 107–120. https://doi.org/10.1007/s40961-017-0124-8 DOI: https://doi.org/10.1007/s40961-017-0124-8

MacLure, Maggie. 2013. “Researching without representation? Language and materiality in post-qualitative methodology.” International Journal of Qualitative Studies in Education, 26: 658–667. https://doi.org/10.1080/09518398.2013.788755 DOI: https://doi.org/10.1080/09518398.2013.788755

Malabou, Catherine. (2009) 2011. Changing Difference. Translated by Carolyn Shread. Cambridge: Polity.

Meillassoux, Quentin. (2006) 2009. After Finitude: An Essay on the Necessity of Contingency. Translated by Ray Brassier. London and New York: Continuum. https://doi.org/10.5040/9781350252059 DOI: https://doi.org/10.5040/9781350252059

Milde, Andrea. 2019. “Linguistics in drama process.” In Working Papers in Urban Language and Literacies, Paper 251: 1–19.

Phelan, Peggy. 1993: Unmarked: The Politics of Performance. London and New York: Routledge.

Plato. 1979. Republic. Translated by R. Larson. Wheeling, IL: Harlan Davison.

Plato. 2009. Timaeus and Critias. Translated by Robin Waterfield. New York: Oxford University Press.

Ritter, Johan Wilhem. 2010. Key Texts of Johan Wilhelm Ritter on the Science and Art of Nature. Translated by Jocelyn Holland. Leiden: Brill.

Schechner, Richard. 1981. Between Theater and Anthropology. Philadelphia: University of Pennsylvania Press.

Spatz, Ben. 2014. “Massimo Balduzzi: Research in physical training for performers.” Theatre, Dance and Performance Training, 5 (3): 270–290. https://doi.org/10.1080/19443927.2014.930356 DOI: https://doi.org/10.1080/19443927.2014.930356

States, Bert O. 1985. Great Reckonings in Little Rooms. On the Phenomenology of Theater. Berkeley: University of California Press. https://doi.org/10.1525/9780520908604 DOI: https://doi.org/10.1525/9780520908604

Toohey, Kelleen. 2019. “The onto-epistemologies of new materialism: Implications for applied linguistics pedagogies and research.” Applied Linguistics, 40 (6): 937–959. https://doi.org/10.1093/applin/amy046 DOI: https://doi.org/10.1093/applin/amy046

Vološinov, Valentin Nikolajevitš. (1929) 1973. Marxism and the Philosophy of Language. Translated by Ladislav Matejka and I.R. Titunik. New York and London: Seminar.

Zlatev, Jordan. 2007. “Intersubjectivity, mimetic schemas and the emergence of language.” Intellectica: Revue de l´Association pour la Recherche Cognitive, 46–47: 123–151. https://doi.org/10.3406/intel.2007.1281 DOI: https://doi.org/10.3406/intel.2007.1281

Published

30-12-2024